2016 marked the 100th anniversary of Harry T. Burleigh‘s publication of “Deep River,” which is considered to be the first time a Negro Spiritual was used as source material for an art song. “Deep River” inspired singers of “Classical” music to program Spirituals into their concert repertoire and composers to explore how their own vocal musical expressions might be enriched by inclusion of the Spiritual in their works.
This document serves to highlight a sampling of the many composers and singers who have forged art songs from this powerful American folk music. It will develop in stages. Stage one will consists of approximately twenty videos of historic and contemporary performers singing Spiritual art songs composed over the years. Some entries will also link to composer and performer biographies on the Afrocentric Voices site, and the songs’ album titles will link to track information on The Spirituals Database. Over time, details will be added, including biographical information about composers and/or performers, musical score and book resources, additional videos and images.
Your patience is requested as this page develops.
The Pioneers: Burleigh to Hayes
These composers were born in the generation immediately following the American Civil War, which ended in 1865. They were often the children of ex-slaves or they otherwise were exposed to the Negro Spiritual directly from the living sources of these songs.
Harry Thacker Burleigh (1866-1949)
John C. Payne (1872-1952)
“Standin’ in de Need o’ Prayer”
John C. Payne, composer
John C. Payne, baritone; Lawrence Brown, tenor
Black Europe: Sounds & Images of Black People in Europe Pre-1927
John Rosamond Johnson (1873-1954)
Robert Nathaniel Dett (1882-1943)
Florence B. Price (1887-1953)
“Go Down Moses”
Florence Price, composer
Richard Heard, tenor
My Dream: Art Songs and Spirituals
Roland Hayes (1887-1977)
“Hear de Lambs a-Cryin'” from The Life of Christ
Roland Hayes, composer
Charles Holland, tenor
My Lord What a Mornin’
Francis Hall Johnson (1888-1970)